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Siniša Labus

Painting of Siniša Labus – Strawberries

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Painting size 34 x 40

79.300,00 RSD

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Description

The painting by Siniša Labus – Strawberries is an example of hyperreal painting by one of our best painters of precise figuration. He has been drawing and painting since childhood. He gained his first theoretical experiences at the walking school of Master of Sculpture Vuk Bojović. Later, he studied with Dragan Malešević Tapi, and at the same time visited the studios of other contemporary realist painters. Oil painting on canvas, using traditional materials and painting methods.

The dimensions of the picture are 34 x 40 without a frame and 46 x 52 with a frame. The original certificate comes with the purchase of the painting by Siniša Labus – Strawberries. It is a confirmation of the originality and authenticity of the painting. The price of the painting by Siniša Labus – Strawberries is with the frame. The main frame is lux golden with beads, and the passe-partout is thin, dirty white with a golden slip that follows the colors of the picture and gives the picture a special note.

His spectrum of interests is very wide, so he devotes himself to both portraits and still lifes, as well as landscapes and historical-mythological compositions.

His still life paintings are dominated by fruit, which he works in breath with such precision that the viewer thinks it is a photograph. Along with fruit, he paints glass and porcelain glasses, jugs, bowls and avans. He often paints musical instruments with his still lifes, which fit nicely and romantically with his still lifes.

He paints landscapes with precise depictions of flower and fragrant fields with tree trunks that are often in his landscapes. He mainly paints forest glades, mountain roads with surrounding vegetation, as well as other meadow flowers. His landscapes often feature the motifs of old masters as well as the motifs of our National Parks.

The picture of Siniša Labus – Strawberries is a typical example of his school of painting, and with his unique painting, he conquered not only our areas, but also Europe and America. He looks up to the most prominent representatives of the Baroque, High Renaissance and Realism in Russian painting of the 19th century.
He considers the Spanish artist Diego Velázquez and the Russian painter Ilya Rjepin to be his greatest role models. So far, he has exhibited independently in Belgrade, Novi Sad, Apatin, Zlatibor and other cities of Serbia, and he has performed collectively in Chicago, Washington, New York, La Jolla and Carmel.
His works are in many private collections throughout the country and the world. In the gallery Španac has the largest selection of paintings.

 

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